An engaging adventure enfolds when Bushi escapes a gang of school yard bullies by fleeing into a karate studio. He falls, losing consciousness and dreams he meets the master who founded the school and has an adventure, in which he learns to escape a larger adversary by jumping aside during an attack. When he reawakens, he uses this technique to land the bully in a fountain and escapes again to attend Karate class. Includes small glossary of Japanese words used in the story.

Once again Mat Faulkner have brought another great book into american liture this book is the best i love his illistrations and te story line is great i hope his next book maybe a sexquil? Will be just as good.

Once again Matt Faulkner demonstrates his outstanding abilities in the literary as well as artistic realm. "Black Belt" rises to the top among his other works such as: "Amazing Voyage of Jackie Grace," and"Jack and the Beanstalk." His illustration is so beautiful you almost need no words to read the story of Bushi and his nemesis Yag yu. What child has not lived through Bushi's experience and dreamed that he would be the victor. The story has everything that makes a book exciting for a child: Magical illustrations, a real life problem, a possible solution, and a surprise ending that leaves you wishing for more. What more could you ask for?

I loved this book so much that I developed a Thematic Unit around it. The book has some of the most outstanding pictures one has ever seen. Through these pictures we get to see Japan's culture, customs, and landscape. The story is great too. Through this book I taught Reading, English, Math, Social Studies, Science, Art, and used the internet to go on a field trip. This is a wonderful book and keeps the reader guessing. Enjoy!

My son's third grade class has been studying Japan. They had a "Japan Day" with lots of Japanese activities. His teacher asked me to read this book to the class. I hadn't read it before and only one child had heard it. They loved it. I have come right home and am purchasing the book for our "library" right now. Highly recommended!

This is a very classic story from Nagoya region, I believe. Taro was as lazy as he can be. He wants to do nothing but laying on the tatami-mats and sleeping where he received his nickname, Three-Year Nap Taro. Pictures and story are full of Japanese culture and your children would like the twisted ending to learn being lazy is NOT good.

Here is a short, simple book examining the role and place of the ever-growing Japanese-Brazilian population in Japan. Overall, it is a well written piece of work that I found helpful in my reseach. Although it is not the most comprehensive book on Japan's new ethnic minoritiy population,the Brazilians, Roth's work is worthwhile nonetheless.

It's a very good book, good analysis of Nikkei life in Japan.

I read this book and I found that it was more than a simple academic book with statistics, and numbers...It's a realy good view of what is a migrant life in Japan .

In Japan, a country that is thought to be "ethnically pure", the new phenomenon of return migration poses an interesting problem. Nikkei (those who are of Japanese ancestry outside of Japan) Brazilian nationals began migrating to Japan for economic reasons in the 1990s (the government made it particularly easy for them to enter the country, assuming they would adapt to Japanese culture better than those with no ties to the country), and many decided to stay, creating minority enclaves with a culture distinctly their own and NOT Japanese. Joshua Hotaka Roth provides an analysis of Nikkei life in Japan.

Although I read this book as part of a research project, I found that it was much, much more than a dry academic book with lots of statistics (although there certainly were plenty of statistics for anyone looking for solid numerical data). Roth didn't just write about this subject; he experienced it: he worked in a factory side by side with Nikkei Brazilians, lived and associated with Nikkei, and truly participated in his subjects' way of life in Japan. The result is an intimate view of the "return" migrant's experience, including sections on the actual factory work, injury and health insurance issues, and some ways in which Brazilian Nikkei in Japan maintain Brazilian identities while adapting to Japan.

This book is great for anyone who wants to know more about Japan in this time of internationalization, anyone who is interested in international migration, issues of national identity, or anyone who just wants an interesting non-fiction read.

She writes among the best cookbooks for American Audiences. I like this book because it feature many of the more, "comfort food" type of dishes that one would have in Japan, like Curry Udon. Its also a very visually interesting book.

Cafe Japan is a Japanese cookbook with a variety of wonderful recipes. The photographs are superb and the resulting recipes delicious. Oishii desu!

Emi Kazuko's Cafe Japan requires access to fresh seafood but produces a range of dishes and flavors which capture the Japanese dining experience. Cafe Japan is a fine introduction to Japanese cuisine, especially for beginners who already love to cook.

If you believe in Lord Acton's dictum that "Power tends to corrupt and absolute power corrupts absolutely," this book is for you. There have been a variety of theories why some countries have prospered and some have not. Some say it depends on allowing free trade; some argue it depends on the degree of democracy as opposed to socialism or communism. Douglass North won a Nobel prize for his work to prove that the key is having the right societal institutions. Certainly it takes more than having natural resources.

Professor Powelson (Economics at the U. of Colorado) has worked extensively in developing countries and observed that despite all the good advice these countries received, and had been receiving for 50 years, they were making very little progress. To find out why, he decided to study history, going back over ten centuries in every important region of the world to see what lessons could be learned. His conclusions are startlingly simple: People prosper and societies thrive where there is genuine diffusion of power -- power earned, not bestowed by a ruler. Where power is centralized among a ruling few, the ruling few are able to take care of themselves, but their nations fail to grow and prosper and the people stay poor.

This book explains why every college freshman should be required to study Western Civilization before studying any other. As George Santayana has said already, "Those who ignore the lessons of history are doomed to repeat them." Professor Powelson has written the most important history book of the past century for anyone interested in the lessons to be learned from the histories of Northern Europe, Japan, China, India, Russia, the Middle East, Africa and Latin America, all covered beautifully in this one book.

Jack Powelson's book, Centruies of Economic Endeavour, gives a clear explanation of why some countries (like the U.S. and Japan) are so much better at providing economic resources to its citizens than other countries, like in Eastern Europe, Africa and South America. His many years in business as well as academia results in relevant and clearly detailed notes for the reader to follow up. This book helped me understand why, even today, so many countries with large amounts of natural resources, cannot seem to get their people out of poverty. Must reading. Highly recomended.

Powelson turns to the historical experience of nations for an answer to the central question of economic development: why do some nations grow rich while others do not? The answer lies in the relationship between the decentralization of power and the ability of economic actors to play a role in the formation of transactional institutions. Absolutely necessary for students of development.

This is the most terrible book I ever read. This is a book about a 15 years old girl, Maria Rosa Henson. Maria was taken by the Japanese soldiers and forced into prostitution as a "comfort woman" during the Japanese occupation in Philippines. She was captured and had been sexual tortured and abused for years. After keeping her secret for over half a century, she broke her silent and told the public about her painfully experience. I was stunned by her words and as well the illustrations in the book. However, I admired her courage--her courage to tell the truth and to face her family. Her truth words definitely offer hope and perspective to other survivors who need too heal from the wound.

This poignant memoir of a Filippino woman forced into prostitution by the Japanese military during World War II is moving and touching in its simplicity of style. Maria Rosa Henson teaches us truth in these pages, truth which we need to understand. We must all do what we can to see that our country votes properly in the United Nations on this issue. So far the USA is the only nation within the General Assembly of the UN which has refused to uphold that reparations be paid to the thousands and millions of sexual slaves who have been tortured and abused worldwide by the war machine and the various militarists who destroy our humanity everywhere across the globe. The one who has written this book is her personal testitmony to help other survivors.Read this memoir and its introduction. It's worth your education.

This is a very compelling story about the atrocities to which members of the Japanese army subjected a young Filipina girl. It is difficult, at times, to read and certainly not a book I would recommend for young readers. However, it definitely raised my awareness of the issue and the horrors experienced by these "comfort women". It also showed the resilience of women to love and survive again after such deplorable experiences.

I'm not really into sword collecting, but I nonetheless found
this book to be fascinating. Two-thirds of it is pure reference
material related to particular sword makers and that part would be
invaluable to collectors, but it is not of general interest. The
descriptions of the history of swordmaking and the attributes of
the craftsmanship, however, stands on its own as interesting reading.
One comes away with a much greater appreciation of the art form.

The Connoisseur's Book is exceptionally detailed and not to mention very aesthetically pleasing. The book itself has the feel and look of a high-quality encyclopedia. As should be expected, the information inside is very well detailed. It is an excellent book and I very strongly recommend it, particularly if you are ready to start deeper in-depth studies of Nihonto. For a novice, I would probably suggest the books by Sato and Yumoto. But this is what I feel would be a step beyond those.

Absolutely marvelous. Well written, very clear, of course as was mentioned in another review it sorta lacks photographs, but that's quite OK, as the illustrations do an excellent job of portraying things.

For those of you who are more passively interested, this book will be overkill and unnecessary when you can do well with the aforementioned books, but if you are serious...this book is a splendid piece of work that will be VERY enjoyable for you to delve into. Not only for information, but as a good read.

The Connoisseur's Book, is just that. It is very detailed and a must for any serious student of Nihonto.

The pluses are the incredible depth of research and information. Nagayama details all five priciple schools as well as the common traits and outstanding smiths of the schools.

The only downside is the lack of full color (or even b/w for that matter)picures of the blades and styles he is talking about. However, the drawings do well to illustrate the style. I just would have prefered to see actual blades since that is what I would be looking for as a collecter.

Overall- a very good read - Nagayama gives a great history of the development of the Nihoto.

As a reference tool, the book is not well set up for quick access, but does provide the information needed if you mark the various pages.

Basically more detailed that Yumoto's book and the next step for the collector in his study of Nihonto.

The Japanese reporter for the prestigious Screen International, Mark Schilling gets to see all the new films in advance, and brings not just a reviewer's critical eye, but a linguist's critical ear = his comments on translation and delivery add a whole new dimension lacking from writers who can't speak Japanese. His comments, even where I don't initially agree with them, such as his Poppoya review, are always thought-provoking and worthy of consideration, and his introductory essays on the state of modern Japanese film are unequalled in the current market. Some of the background stories, such as the influence of the Middle Eastern carpet trade on the Japanese film business, are quite mind boggling, bu also bery interesting explanations for some of the strange behaviour of Japanese film producers. An excellent survey of Japanese film in the 1990s, from someone who was there when it all happened.

One of the better and hipper books on Japan is the Encyclopedia of Japanese Pop Culture, by Mark Schilling. Schilling is one of the few foreigners who can really distinguish the important icons of Japanese culture from the stuff that's of less interest. It was with great relief that I found his Contemporary Japanese Film, focusing on cinema from the 1990s. Not surprisingly, he makes reference to the golden age of Japanese cinema in the 1950s, including the magnificent talents of Kurosawa, Ozu, and Mizoguchi, in an effort to understand what has gone wrong in the nation's cinema since then: a downward spiral of bad talent and visionless film producers. Ever since, there has been little international attention paid to Japanese cinema except for the interesting work of '60s mavericks Nagisa Oshima and Seijun Suzuki (the "Sam Fuller of Japan").

According to Schilling, there were some new beams of light in the Japanese cinema of the '90s. Leading the pack is filmmaker Takeshi "Beat" Kitano, who has already gotten serious attention in the States and Europe for his stylized gangster films, such as Sonatine (1993); and the hysterical films by the late (and very much missed) Juzo Itami, who made the culinary adventure Tampopo. So it is not surprising that the two most interesting interviews in the book are with these filmmakers. Takeshi must be the hardest-working man in the world: He makes at least two films a year plus eight television episodes a week. He tells a funny story about how on one talk show dealing with food and drink; he fell asleep on television due to the alcohol. The other guests just went on their merry way while commenting every so often on Takeshi's sleeping habits. He claims that there is no pressure doing that much television shows because nothing is planned; it is even relaxing. It is worth noting that, on the side, he has a career as a kind of Japanese David Letterman.

As for Itami, who is known for his television acting as well as his films, his interview focuses on how contemporary Japanese culture is conveyed in different aspects of his film work. Itami has made fun of everything from family practice (The Funeral) to the Japanese Mafia, the Yakuza (as a result, he had his face slashed by a Yakuza member).

The second half of the book includes nearly 400 Japanese film reviews by Schilling, published originally in the Japan Times. I would recommend this book not only to film fans, but also to readers who are interested in contemporary Japanese culture. Schilling, along with American journalist Donald Ritchie, has excellent insight into what makes Japan tick, and also understands the nature of kitsch in Japanese culture

Mark Schilling is a film reviewer for one of the Tokyo newspapers, so this book is made up of all the films released in the past 10 years, bundled up with a load of articles/interviews with the like of Shunji 'Swallowtail Butterfly' Iwai and Juzo 'Tampopo' Itami. He writes very well, but most interesting is the wide diversity of the films reviewed. It's far more comprehensive than Weisser's book, which would have you believe that Pinku Eiga were the only type of films being made in Japan in the 90's. Most of the films reviewed have probably had little release outside of Asia. This definitely the best book out there on the subject.

Unfortunately, out of print - but seek it out any way you can. A fascinating, wonderful, and truthful account of the life of a daughter of the Samurai class, which had existed for centuries, just at the time when it was beginning its decline. Much of what you read in this book will explain the behaviour of modern-day Japanese. As an American living in Japan, that has proved invaluable. The book is well-written, focused, imaginative, whimsical, and resourceful, just like the author herself. If you can get your hands on a copy, be prepared to fall in love with Etsu-bo!

I was completely charmed by this beautifully written autobiography! I couldn't put it down! Not only did I learn some rich social history of Japan, but I was able to see into the Japanese heart for the first time. Although many of the customs mentioned are now outdated, they show the foundation that shaped and molded the Japanese people of today. I can now say that I have a much clearer understanding of the Japanese. Apart from what I learned of Japan, I also got a glimpse of America and how we haven't changed much over the years in our attitudes. I saw into the heart of the immigrant and the adjustments and readjustments they must face. I was awed and inspired!

I didn't want this book to finish so soon. I loved the style and became involved in the characters. I want to know how her children re-adjusted back to life in the USA - how did she manage as a single Japanese mother alone in the USA.

Nothing tumultuos happens, no sex, no violence - just a peek into the not-so distant past!

Especially interesting for me since I am a Brit who has lived in the USA and now living in Japan.

Can anyone reccomend more books of this calibre?

Sudo's use of repeated curves and straight lines is amazing! The quilts and blocks all look so balanced and even, but in an unusual way. There's a wonderful, off-center sort of flair to the patterns- a sort of creation of harmony from disharmony. I haven't quilted much with curved forms (they have always sounded daunting) and this book contains the first pattern that even makes me want to try. And the wonder of the book is that I would really like to try most of the patterns... What a great, creative compilation!

I just purchased and read this book today. Kumiko Sudo's use of color and form is phenomenal. Her designs are kaleidoscopic, and may be challenging to create, but even if I never make one of her quilt block designs I will be affected by her choices of color, focus on the use of fabric and its design, and stories of how each design came about.

I really recommend this book; it will definitely encourage you to think more about color and form as you choose fabrics for quilts.

This gift awakened my creativity. I have questions about the fabric. Looking for dialogue.